Nani is back, and this time, he’s brought the storm with him. HIT: The Third Case, the newest addition to the HIT Universe, burst onto the big screen on May 1, 2025—and the response has been nothing short of electric.
Directed by Sailesh Kolanu, the film introduces audiences to Arjun Sarkaar, a brutal and brilliant cop whose mission leads him deep into the dark web of a cult organization named CTK. What sets HIT 3 apart isn’t just the action or star power—it’s the sheer intensity of its content. With every twist, every clue, and every confrontation, the film demands attention and rewards viewers with edge-of-the-seat storytelling.
The numbers speak for themselves. With a thunderous opening day collection of ₹21.5 crore, followed by ₹12 crore on Day 2 and ₹11.5 crore on Day 3, the film charged through its first week to rake in a total of ₹67.5 crore. Not bad for a thriller that dares to dive into dark psychological themes rather than playing it safe.
What makes this success even more significant is the film’s layered narrative. It doesn’t just thrill—it makes you think. Kolanu’s direction, coupled with Nani’s razor-sharp performance, pushes the boundaries of commercial Telugu cinema, proving that strong content can be just as crowd-pulling as spectacle.
The production was mounted on a budget of ₹60–65 crore, with digital rights reportedly sold for ₹54 crore even before release—making HIT 3 a winner both creatively and commercially. It’s not just a film; it’s a franchise that’s evolving with intelligence and ambition.
Backed by a powerful ensemble cast including Srinidhi Shetty, Rao Ramesh, Samuthirakani, and intense cameos by Adivi Sesh and Karthi, the film hits all the right notes. It’s sleek, smart, and steeped in suspense.
If the first week is any indication, HIT: The Third Case is not just a box office success—it’s a statement. A statement that Telugu audiences are embracing layered, intelligent cinema with open arms. And with the second week picking up steam, the buzz isn’t slowing down anytime soon.
In a landscape often dominated by formula, HIT 3 proves there’s still space—and demand—for high-concept, high-impact content